Omar (Hany Abu-Assad)
Omar
is a political film. A subtle dramatization of a situation compelling the
viewers to think out its contradictions. Palestinian director Hany Abu-Assad’s
Omar is about a young man caught between love and his commitment to the
Palestinian cause. The protagonist is a young militant who goes on a mission
with his two best friends, gets captured by Israeli intelligence. Adam Bakri
plays the hero who realises that compromise and subterfuge may be the only way
to win Nadia (Lubany), his friend's sister, whom he wishes to marry. It's a
lean, controlled and captivating film.
Hany
Abu-Assad's Oscar-nominated Omar, a story of spy craft and betrayal, has an
intensity that many spy films lack.
The
film action takes place in the heart of occupied Palestine and the time is
present day. Abu-Assad's screenplay interweaves personal and political
elements. There is also a documentary-like aspect to its portrayal.
Omar
(Adam Bakri) is first seen scaling the isolation wall that was built to protect
Israelis from Palestinian ‘terrorists’ to visit his friend Tarek (Eyad
Horuani), whose beautiful younger sister Nadia (Leem Lubany) he is courting.
Omar,
a baker by trade is harassed and humiliated by Israeli soldiers. He and his
friends have no freedom of movement. They are faced with torture and
imprisonment. The only chance to save themselves is to turn informers.
There
are scenes in which prisoners are being tortured and blackmailed. The Israeli
security agent Rami (Waleed Zuaiter), is one of the most sympathetic characters
who tries to manipulate the Palestinians and turn them against one another.
There is one telling and very touching scene in which this shadowy figure calls
his mother to ask her to pick up his child.
Abu-Assad portrays him as a cultured and decent man. He has an obvious
rapport with his antagonist Omar.
This
is a film in which everyone turns out to be deceiving everyone else. Characters
breach many of the sacred principles of the freedom fighters including
indulging in confessions. There is treachery and stealth which are portrayed as
a necessary part of everyday existence. Lovers aren't honest. Close friends
keep secrets from one another, spy on each other. Everyone knows there is an
informer in their midst but it is almost impossible to identify where the leaks
are coming from.
The
way the film tones down the polemics is one of the film's strengths. The
situations faced by its characters are self-evident. While the Palestinians live
under occupation, the Israelis are under constant threat of violence.
The film combines gentle comedy and moments of
lyricism with scenes of torture and violence.
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